Michelle did this shoot in February or March, but I just realized that I never shared any of the images here! She had the concept for this last year, but it took a few months for the various participants and contributors to bring it all together. It has been a pleasure to collaborate with her, and this is one of my favorite shoots so far.
The set was an old civil war graveyard. When she contacted me with the idea, she was a bit worried that it might be “too dark” for me, but I think it’s perfect. The photo to the right is one of my favorites — I love the faded look, and the subtle damask pattern in the background that echoes the pattern on her dress as well as the pattern on the headstone.
It’s been a lot of fun collaborating on these shoots. I love her aesthetic as well as her imaginative approach. I also love that it challenges me to work on more intensive pieces. This collar for example — it may look simple, but it’s very detailed and it reflects countless hours of work. It incorporates a series of 1960’s era cabochons and cameos, along with a huge assortment of unusual vintage French jet sew-ons from the late 1800’s. These beads were traditionally used in Victorian mourning jewelry and garments, and I hoped to capture that feel with this piece.
If you’d like to see more images from this shoot, you can check them out on my facebook fan page. While you’re there, consider “liking” the page, so that you can keep up with our future collaborations.