Last night I was flooded with memories of working on the 9/11 Bead Quilt Project, and the many beautiful stories behind the squares. This project touched my life in a profound way; while it demanded an incredible amount of time, energy and commitment, I can honestly say that what I gave is a fraction of what I got back. With that said, I wanted to share some of the beautiful, loving efforts that the beading community created during a difficult time <3
I’d like to share this first image in acknowledgement of one of our most dedicated coordinators, Rosa meyer. The bright blue squares (“our beads help…”) were her brain child, and this theme is repeated at the center of each of the 3 quilts. The one for DC has a series of red squares that read “Our beads help to remember the fathers, the mothers”. The one for PA has white squares that say “Our beads help to comfort the sons, the daughters”, and the one for NY (shown here) has blue squares with the words “Our beads help to honor the heroes, the victims”.
Thank you Rosa for your enduring passion and commitment to this project, and for keeping it visible in the (many) years that we searched for permanent placement!
The 4 squares shown in this image were created by Julia Pretl, who was not only our coordinator for the MD area, but our (extremely talented) web designer. She helped to problem solve for the BQ project starting from day one, and on up to nearly 10 years later, when we finally secured permanent placement for the quilts.
Thank you so much Julia, for all your help and for putting up with so much of my crazy over these past 15 years!
This block includes squares by our NM coordinator, Nikia Angel (thank you Nikia!) as well as Rita Sova (angel) , Lisabeth Tafoya (in high resolution microbeads!) and the ever awesome Mary Tafoya. Her square commemorates the life of a NM man, Al Marchand, who was a flight attendant on flight 175.
Notice how several of the squares in this block are from Japan? There are many others throughout the quilt, most with the same red/yellow/green pattern as the one in the lower left corner. These came from a group of Japanese artists who worked on their squares together … many of them learned how to bead in order to participate in this project!
This block represents some of the MANY beaded squares collected by our AK coordinator, Jeanette Shanigan (I don’t remember exactly how many AK contributed, but it was a lot! Jeanette will tell you the exact #).
The one in the lower right (by Karen Palmer) showcases one of the most popular designs used in the quilt, a rose/flag motif, designed by my sweet friend Charlene Hughes, who was our CA coordinator.
Next to that (lower left) is a square by Kate Boyan, which especially touched my heart. She has been – and still is – one of my favorite bead artists, so it was a wonderful surprise to me when her square came in! There were many “famous” bead artists who contributed to this project, but to me they were all just good people coming together for a special cause … in her case, I have to admit to feeling a bit star struck!
These two squares by Anne Brazeale of AK are just a small sample of the many squares that we received from Native American beadworkers. I think she is Tlingit, but perhaps one of the beaders from the Mat Su Valley Bead Society will see this and let me know for sure.
There are so many special stories that I could share about these squares, and about our travels with the quilts as we worked to find permanent placement for them! I need to get on with my day today, but I will try to remember to share more of these as time allows. Many thanks to all of the wonderful people who helped with this project – artists, coordinators, supporters, viewers, and more. I appreciate you all, more than I can say.