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“Like most people, I’ll never forget the details of where I was on the morning of 9/11”

beaded quilt squares contributed by Alaskan artists for the 9/11 Bead Quilt Project (DC panel1)

These beaded squares were created for the 9/11 Bead Quilt Project —a global, collaborative work of memorial art.

This block of squares by Alaskan artists can be found on the first panel of the DC quilt (click here to view all of the panels created for this project). The image includes the contributors’ names, and any statements they provided are included below.

Cindy Aguiar, Alaska: Like most people, I’ll never forget the details of where I was on the morning of 9/11. I just wanted to be able to give something to everyone in memory of hope, peace and understanding. This was my first piece of embroidered beadwork, and the creation of it was very emotional and reflective for me. 

Jonisue Minor, Alaska: When I learned of the tragedy I thought of all the soul and the butterflies represent the freeing of American patriotism.

Candi Dixon, Alaska: They are heroes too! My daughter and I both love dogs. We are touched by how the canine rescue teams were affected by not finding survivors – they too felt the pain of losing someone. My daughter Keetra Dixson designed the square and I beaded our contribution.

Lyn Jorgenson, Alaska: As an Australian, currently living in Alaska, I can’t help but reflect on my being part of this vast and beautiful universe. It is a membership worthy of pride, yet it demands a simple humility. We must support one another, building bridges not destroying them, listening to the smallest voice, not just following the loudest. Stars, stripes, shields, constellations, colors–all symbols of who and what we are, cannot be seen as threats or provocations, but rather as signs of peace and hope and understanding: parts of the whole. We have a responsibility to one another while we live our brief but significant lives to promote universal understanding, where race, religion or color presents no barrier. No one should live in fear, as our planet in this universe deserves our love and not our hate. We all need to keep shining for each other.

Techniques include bead embroidery and flat peyote stitch.

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9/11 Bead Quilt Squares Gifted from Japan

Beaded quilt squares for the 9/11 bead quilt project, DC panel 1

These beaded squares were created for the 9/11 Bead Quilt Project —a global, collaborative work of memorial art.

This is the first block of squares on the first panel of the DC quilt (click here to view all of the panels created for this project). The image includes the names of all contributors, and any statements they provided are included below.

Aoki Mikiko, Japan: I wish all living things harmony, and collaborations among humans, the earth and universe.

Takami Komishi, Japan: I feel great sorrow that what happens in the USA and other countries could become problems to us. Because I felt great sorrow at the news of this tragedy, I decided to take action to express my feelings. I hope children and all the people will live in peace. 

Several of these squares were created by a group of Japanese artists. Some of them learned how to bead in order to participate in this project! I cried with awe and gratitude when I learned of this. Thank you to each and every artist who contributed from around the globe.

Techniques include: bead embroidery, loom work, and flat peyote stitch

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Art Heals: Reflecting on the 9/11 Bead Quilt Project, 25 Years Later

Beaded quilt square with white glass beads over a blue velvet heart, spelling out the Anne Frank quote: "In spite of everything, I still believe people are good at heart"

As we mark the 25th anniversary of September 11th, my heart is with everyone impacted. In the spirit of remembrance and peace, I want to share some of the exquisite artwork created for the 9/11 Bead Quilt Project —a global, collaborative work of memorial art.

On September 12, 2001, seeking a way to heal, I connected with fellow artists online. Within 24 hours, a grassroots initiative was born. Over the next six months, 500 beadworkers worldwide handcrafted 3-inch beaded squares, coming together to create massive, nearly 200-pound mosaic glass quilt panels. After touring for a decade, our labor of love found its permanent home in the National September 11 Memorial & Museum.

Over the next few days, this blog will feature some of these incredible artworks and the artists’ stories. I hope they bring you comfort and serve as a reminder of the healing power of art and human connection.

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Slow Art

beaded gemstone layering necklaces

Someone recently asked me if I still do beadwork. The question surprised me a bit, because I feel like I have *always* done beadwork! (FWIW, I started beading in the 1980’s). 

But a look at my social media made me realize that I haven’t shared any intricate beadwork for a while. Most of the jewelry that I made during the pandemic was either leather jewelry or simpler strung gemstone jewelry (like the layering necklaces shown here).

While I do enjoy making and wearing the simpler stuff, it made me realize how much I miss the slow, meditative process of bead weaving and bead embroidery. My studio time will be limited for the next few months … so perhaps I will use what little creative time I do have to circle back on my beadwork for a bit!

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Healing Heart

Here’s a happy customer, wearing the “Healing Heart” druzy amethyst necklace that I shared a few weeks back. It features a gorgeous amethyst cluster heart, similar to (but smaller than) the larger palm sized stones that I posted the other day.

Sometimes a piece of jewelry goes to the exact right person – as if it was made just for them, and I didn’t even know it. It’s an honor when that happens, as is the case here. 

Thank you, my friend. Wear it in joy and good health!

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A Blast From the Past

Cleared out an old file cabinet over the weekend, and found these old scans (yes, scans!) of my barrettes and bags from the mid – late 90’s! It tickled me to notice how much my style has changed over time, as well as what’s remained constant. I’m still working in beads, leather and gemstones. And I’m still in love with color and nature.

It’s been ages since I’ve done those fringed buckskin bags and bead embroidered animals. I’ve been thinking about how to circle back on both styles, so it was great timing to find these pics now. I’d love to recycle some of these elements in to my current style.

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Rainbows and Moonbeams to Close Out the Year

lunar phase earrings

I’ve just added a small collection of jewelry items. Many of them feature rainbows or moon phase motifs, so I’m calling it my “Rainbows and Moonbeams” collection. Though to be fair, there are a handful of pieces that don’t really fall into either category.

In any case, there’s a limited selection of new jewelry pieces to choose from, click here to see them all! 

This will be my last shop update for the year, and my last shipping date for 2019 will be 12/23 (meaning that you should have your order in by 12/22 if you hope for me to get it out in the mail the next day). After that, I’ll be doing a bit of traveling to spend the holidays with family. The shops will remain open while I’m on the road, but if you order after 12/22, it will not ship until I return in early January of 2020.

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Featured in Belle Armoire Jewelry magazine spring issue!

beaded leather luna moth necklace

So happy to share that my work is featured in the Spring issue of  Belle Armoire Jewelry magazine, hitting the stands today!

I’m still waiting on my copy, so I’ll share better photos when it arrives. In the meantime, here’s a photo of a beaded leather luna moth necklace that was included in the article. This one features a boulder opal cab with brilliant fire, along with Nevada turquoise, moonstone, Moss agate and charoite.

Many thanks to Stampington & Company for this wonderful opportunity!

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Vintage Photos from My Vending Days

Thought I’d share these “vintage” photos from vending days gone by: The first photo is from the Chumash Pow Wow in Ojai, CA, circa 1994. We’d just finished breaking down our vendor booth. By that stage in my life, I’d already been vending at art shows and festivals for about 7 years!

The woman on the left was a sweet friend from England, who used to import my work so that she could sell it in her stall at the Glastonbury Festival! (Does that event still exist?). The babe in my arms is now 26 years old, and in grad school.

The second photo shows some beaded leather bags that I made around that same era. As you can see, my style has changed a bit in the 25 yrs since these pictures were taken. Some things remain constant: my material choices (beads, leather, natural gemstones), a love of color and natural themes, skilled craftsmanship, and passion for my work and the people who inspire me to create.

handcrafted beaded buckskin bags circa 1994

This path has not always been easy, but I love it all the same. I’m grateful for all the lessons behind me, and hopeful for many years ahead. Some of you have been with me through this whole journey (thank you, I love you!) and some are just joining now (thanks, you rock!).

Please know that I genuinely appreciate every bit of support and encouragement along the way. May it come back to you tenfold  ❤