A lovely customer sent this photo of her wearing a pair of my vintage bone paisley earrings. She is so radiant, my work look beautiful by proximity. Thank you, happy customer photos make my day!
This piece seemed to fly off my needle last night. Not at all what I intended for this cab, but it seemed to have its own ideas as to what it should be!
The next morning, I read on the Farmer’s Almanac site that the March full moon was traditionally known as the “Full Worm Moon” and it heralds the end of winter and the onset of spring. It’s been a hard winter, so I’m celebrating the idea of spring and change
The Almanac explains:
As the temperature begins to warm and the ground begins to thaw, earthworm casts appear, heralding the return of the robins. The more northern tribes knew this Moon as the Full Crow Moon, when the cawing of crows signaled the end of winter; or the Full Crust Moon, because the snow cover becomes crusted from thawing by day and freezing at night. The Full Sap Moon, marking the time of tapping maple trees, is another variation. To the settlers, it was also known as the Lenten Moon, and was considered to be the last full Moon of winter.
Made with : Bali carved bone triple moon, titanium quartz points, shimmering blue kyanite, rutilated quartz and vintage Swarovski.
Artchain day 3 (I’m still doing it, just not consecutively 😉 ) I was nominated to post an item of artwork a day for 5 days, and to nominate others…
I’m choosing my “Snow Queen” headdress, because I think it illustrates something important about the creative process: You have to be willing to experiment, take risks and make mistakes.
This piece began as a mask, around 2004. I was going for a “north wind” theme, but the overall shape wasn’t right so I chucked it in the reject pile. Once a year or so, I’d pull it back out and fiddle with it some more. No matter what I tried, it just didn’t fit nicely. It also looked more like an octopus than a cloud spirit, so it kept going back to the reject pile.
In 2012, I decided to give it one more shot. When I realized that there was no way this thing was going to become a cloud, I decided to hack it in half, and turn the top half into a headpiece (the other half is still with me, waiting to become a crown). This piece has been very popular, and I’m often asked to recreate it, or to riff off of the original design… but it’s worth noting that it started out as a “mistake” that I rescued from the reject pile.
|© 2014 Andrea Adams|
This is the 6th version in this series of masks since 2009. Each one is a bit different, but they’re all made from the same pattern. This one is a gorgeous electric blue, accented with peacock, parrot and pheasant feathers in shades of blue, green and bronze. At the forehead is a shimmering green beetle wing, set in a bezel of glass seed beads.
|“Dream Garden” necklace © Andrea Adam 2014|
“Dream Garden” bead embroidered necklace with vintage glass cabochons. Many of the beads and stones feature an aurora borealis coating. This finish creates beautiful play of light effects, which lend an ethereal, dreamlike quality.
This is an original design, and it will not be repeated. I’ll probably play with the theme again in the future, using a similar neckline and garden elements, but this combination of stones and colors will not be reproduced. If this piece speaks to you, you can find more pictures and purchase info here 🙂
|© Andrea Adams/Beadmask 2013|
This crown is a recent commission. The customer was really nice — not only because of how patient and positive she was with me, but because she commissioned this piece as a gift for a friend. She told me that the recipient nearly cried when it was given to her, and that she decided to go someplace very special for New Year’s Eve so that she would have a reason to wear it!
That makes me incredibly happy. I love creating pieces that are “talismanic” for the wearer… pieces that make women feel beautiful, special, powerful and/or remind them of their own growth and/or healing. I like making pretty things, but what I really strive for is to create pieces that people connect with. Pieces that empower the wearer on some level.
|© Andrea Adams/ Beadmask 2013|
Interestingly enough, the woman called to say “I love the headdresses that you have on your website, and I wondered if you have any more that are not up there yet?”. I told her about this one, which had been sitting unfinished since Jan 2013. I knew what I wanted to do with it, but between the move and a whole lot of custom work, I just haven’t had much time to actualize my own ideas this year. As it turned out, my plan for this piece was right in line with what she’d been hoping for … so I suspect that maybe it was just waiting for her to find me 🙂
Made from hand cut and sculpted leather, accented with a 1960’s vintage aurora borealis glass cabochon, Swarovski crystal, 1930’s vintage German crystal and glass seed beads. The snowflake medallion at the center uses a series of rough quartz points and a single piece of kyanite.
|© Jeff Wood 2013|
Not sure if I’ll make this a regular thing again, but today I feel like sharing a random assortment of art that has inspired me recently:
|Mendocino/Humbolt county line photo © Talia Rose 2013|
Another person who is inspiring me right now is my friend Talia. In truth, she always inspires me and for more reasons than I could possibly list; but one specific reason that I’ll share with you here is her wildlife photography. I’ve shared a few of her photos on my blog before, as they’re always amazing. Recently her work, her skill and her passion for it seems to be growing by leaps and bounds. It’s incredible to watch! She has created a facebook page called “County Line Wild” if you’d like to see more.
|© Mat Enloe 2012|
The beadwork to the right was created by my new friend, Mat Enloe (AKA “The Beadman of Santa Cruz”). He creates amazingly intricate and impressively large bead embroidered works. I chose this image because the fact that he is holding it helps to give a sense of scale; however, he has several equally amazing pieces in his facebook photo gallery.
His images are set to public, and I did get his permission to share them 🙂
|“Fire on the Mountain” © Raina Gentry 2013|
Last but not least is a new (newer?) piece by Raina Gentry. Her work just speaks to me, and I especially love the vibrant colors in this one.
Interestingly enough, I wrote about her work last year in one of my very first “Inspiration Wednesday” posts. Talia’s work was featured in another such post. Maybe that’s an indicator that it’s worthwhile to pay attention and follow the work of those that inspire you … as they may continue to do so 🙂
At times like these, I instinctively reach for my beads. Creativity has a healing element to it, and of all of the crafts that I do, this seems most true of beading. It’s hard to explain, except to say that there’s this very zen space – a meditative place – that I go to when I bead. It soothes me and helps me to let go, and in the process I often find creative solutions. Last night as I sewed, I remembered this story that my friend Beki Haley tells about her Nana, which sums up that feeling so much better than I can:
My grandmother did almost every craft imaginable, knitting, crochet, needlepoint, tatting, shrunken apple head dolls, ceramics, watercolors, we even made toilet seats out of resin with seashells trapped in it! She was a very energetic and sometimes nervous woman who couldn’t seem to sit still or calm down. Until she picked up her beads. Then she would become very calm and quiet.
When I was about 8 I asked her, “Nana, how come when you play with your beads your leg stops shaking and you get so quiet”? She called me over to her chair and said, “See all these little beads in here? Do you see the little tiny holes?” I nodded yes while squinting my eyes to look into her metal cigar box lid that she used for her beading tray. She said, “When I bead I climb inside that little tiny hole and there is no room in there for anything else to bother me. No worries, no aches, no stress.”
At 8 I didn’t quite understand how that made her leg stop moving. But by the time I was an adult I fully understood and her words have never left me. I climb inside that little tiny bead hole whenever I need just a moment of calm.
Thank you Beki, for giving me permission to save and share this story <3
|Bead embroidered cameo necklace © Andrea Adams 2012|
I’m still trying to participate in NaSeBeMo. I say “trying” because I have not been able to bead every day as I had hoped. As I mentioned in my earlier posts, I have had a TON of custom work this month, so most of my creative energy has gone to that.
Still, I’ve made a conscious effort to get in as much beading time as I possibly can. While I have not been able to bead daily (which is the goal of NaSeBeMo) I have managed to do a bit of beadwork at least 4-5 days a week. This is significantly more beading time than I have had all year. Hopefully I can continue in this vein.
Most of my projects have been small ones. I took one evening earlier this month, and glued a bunch of cabochons down to a beading substrate. I mean a whole bunch… there are vintage glass stones, old Swarovski, and an abundance of jaspers and agates. This prep work has made it possible for me to work in a bit of bead embroidery whenever I have a spare minute or two. Many of the stones will decorate my leatherwork, while others will be bases for me to build into more complex jewelry pieces.
|“Lunar Eclipse” labradorite necklace © Andrea Adams 2012|
In addition to the smaller projects mentioned above, I’ve completed the two necklaces shown here, as well as an assortment of earrings and bracelets. They’re all simple pieces, but it feels really good to be getting back into the habit of beading again.
Another factor in all of this is that I recently got glasses. I have needed them for some time, but kept putting it off because the adjustment period is so intense for me; as a self employed artist, I really can’t afford to have impaired vision for an extended length of time! I’ve been wearing my new glasses for 3 weeks now, and I still have some rough side effects (dizziness, nausea, headaches) but it is getting easier. So while the transition phase is slow and uncomfortable, I expect a long term benefit to my beading practice. I am already noticing a huge improvement in my vision, which should make beading a lot more enjoyable 🙂