I was pleasantly surprised to learn that I was one of the featured artists today on the Indie Artisans Gallery blog! You can find the article here 🙂
Category: craft business
Holiday Shipping Deadlines
I received this info from the USPS the other day, and thought I’d pass it along:
Holiday Mailing Guidelines within the U.S. | ||||
Letters and Cards |
Priority Mail® | Priority Mail Express® | Parcel Select® | |
Anywhere in the U.S. |
December 20 | December 20 | December 23 | December 15 |
Holiday Mailing Guidelines for International Mail | ||||
Destination | Letters and Cards |
Priority Mail | Priority Mail Express | Global Express Gtd® |
Canada | December 9 | December 12 | December 16 | December 19 |
Mexico | December 9 | December 9 | December 14 | December 19 |
Europe and Caribbean | December 9 | December 12 | December 14 | December 18 |
Asia, Pacific Rim, Australia, New Zealand | December 9 | December 9 | December 14 | December 17 |
Central and South America | December 2 | December 2 | December 12 | December 18 |
Africa | December 2 | December 2 | December 10 | December 18 |
Middle East | December 9 | December 12 | December 14 | December 17 |
Holiday Mailing Guidelines for Military APO/FPO Addresses | ||||
Addresses to the following APO/FPO zips: |
Letters and Cards | Priority Mail | Priority Mail Express Military Service | |
AE ZIPs 090-092, 094-098, AA ZIP 340, AP ZIPs 962-966 | December 10 | December 10 | December 17 | |
AE ZIP 093 | December 3 | December 3 | N/A |
Caring and Sharing
As an independent artist, here are a few things that I really appreciate. While some points are admittedly ranty (my apologies, it needs to be said) this is a sincere attempt to educate. Much of it is basic netiquette, but the last one is an extra bit of kindness that just rocks my world:
1) If you share my work on pinterest, facebook, online forums, etc, please retain my links. To do so, simply share the link rather than downloading the image from my site and uploading it elsewhere. This way, when people discover my work through your posting, it leads them back to my site. I can’t tell you how many customers have found me via social media. Those links really help IF they retain the artist credit and contact info!
2) If you do share my work, please don’t alter my images or remove my watermark, logo or copyright information.
3) If you’d like to use images of my work in your workshop, tutorial, flyer, character description, or anything else … please ask first. And again with the credit. Really, it matters.
4) At this time, I don’t sell kits, patterns, tutorials or DIY components. If I change that practice, I’ll be sure to let everyone know. Until then, please do not disassemble, alter, reverse engineer, spin, fold or mutilate my work.
5) Please don’t reproduce my stuff. If you insist on doing so, please contact me to discuss a design fee. If you’re unwilling to compensate me for creative design or writing services, I suggest that time spent studying or duplicating my efforts would be better spent at your own workbench, developing your own style.
6) If you enjoy my work, please SHARE it and tell them where you found it! This helps to make my work visible to a wider audience, which is a HUGE help. Even if you can’t afford to buy anything, respectful sharing is an awesome way to support artists that you like!
10 Things not to say to an artist or crafter…

10. “I’ll just get my friend to make me one of those.”
9. “You know what you should make . . . ”
8. “Do I get a price break if I buy two?”
7. “I can make that myself.”
6. “Why does it cost so much?”
5. “How do you make this?”
4. “Will you donate your artwork to our event? We can’t pay you, but it will be great exposure.”
3. “My nine-year-old makes this kind of stuff too.”
2. “Kids, this is what happens if you don’t go to college.”
1. “I can buy that at Walmart for $3.99.”
via the California Arts Council
Policies for Custom Work
I’m currently taking a brief hiatus from custom work, but I will begin accepting *limited* commissions again next month. Before I do, I’d like to revamp my policies in order to ensure that all parties have clear/shared expectations for this process. To that end, I would love input from both my customers and my fellow artisans. Here are a few of the topics that I’m pondering:
Customers:
Have you ever commissioned an artist before?
If so, what are your hopes and expectations for this type of transaction?
Are you willing to sign a contract or agreement?
What policies or practices might help you to feel comfortable with the process?
What policies or practices might ensure that you are happy with the end result?
Artisans:
Do you require a deposit? If so, how much — and is it refundable?
Do you charge for “extras” such as sketches, custom colors, additional photos, multiple revisions, etc?
Do you make a distinction between “customized” (ie – recreating an existing work in custom colors) and “completely custom” (ie – designed from scratch to the customer’s specifications)?
Are there any topics or policies that you feel are critical to a good commission agreement?
Thanks in advance for any input that you can offer!
Etsy’s New Feedback System (kinda ranty)
I generally try to keep an open mind, and to roll with new changes that Etsy introduces. Sometimes they’re cool  — like those awesome shipping options that they offered (and later removed) last year — and sometimes they really stink. In this case, I can’t imagine a single positive. I don’t have time this morning to write out my plentiful and extensive rants on the subject, but suffice to say that they are not only plentiful and extensive, they are grounded in personal experience. I was a power seller on eBay when they introduced the DSR system, which created a horrible imbalance in the relationship between buyers and sellers. I experienced the fallout from that change and it was awful. So awful, that I quickly abandoned a marketplace where I’d been selling successfully for over a decade.
So when I twitch and growl at the prospect of this new system over on Etsy, I’m not just being reactionary. I do have a frame of reference, and while admin keeps insisting that this is different, we eBay refugees are extremely wary. I’m trying to give them the benefit of the doubt, but I’m also working to develop an exit strategy in the event that it becomes necessary.
For one thing, I’m going to stop putting all of my eggs in one basket. I do have an established website, though I tend to be bad at updating it. I’m going to focus a bit more energy on improving that, and on networking and linking with other artisans (please let me know if you’d like to trade links!). I’m also going to start exploring other markets again. In the past, I’ve felt that selling on multiple sites spread me a bit too thin … but between this new announcement and Etsy’s snarky and poorly thought out replies to customer concerns, it feels like these exploratory efforts may be needed. Thus far, I have re-opened my Artfire shop, and I am considering dipping my toe into the waters of eBay again, at least on a small scale. There are a few other ideas that I want to flesh out a bit more, but this is already getting long, so I’ll leave it at that.
In the meantime, I think I will hold off on listing much more on Esty, and if they don’t come back with some SOLID answers to seller concerns soon, I’ll gradually reduce my listings there. It’s frustrating (and honestly, a bit frightening) that this is happening at the start of my busy season– the season in which I make the majority of my income for the year. I should be in my studio right now, prolifically creating crazy costumes. Instead, I am worrying about this stupidity, and re-evaluating my current business strategy. Ah well, I suppose it’s a reminder that markets change; never get too comfortable, and always strive to be adaptable and imaginative in finding new solutions.
More than an object…
Remembering Dad…

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dad painting a mural in a church in Clearlake, CA |
Today would be my father’s 78th birthday so I’m dedicating this “inspiration Wednesday” to him. My dad made his living via his art at a time when that wasn’t so easy. He was a redwood sculptor and also a very talented tattooist, but I think his greatest love was oil painting. Growing up, I dreamed of being an artist too.
He used to have a gallery in the California redwoods and he also worked with other galleries along the coast. I got to tag along when he sold at shows and galleries, and watching this taught me a lot about the the art of craftsmanship.
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working on a tattoo |
He had a powerful commitment to his work — to him, creativity was a spiritual practice. He treated it with great respect, and he taught me to do the same. He always impressed how important it is for an artist to take great care of your tools –especially your hands and eyes! — and also to use the best materials available. He stressed the value of really learning your craft, paying careful attention to detail and quality, and always striving to hone your skills no matter how much you think you know. Beyond these practical skills, he taught me a lot about the healing properties of art. I won’t go into that too much in this post because it’s highly personal, and because I don’t know how to write about it without sounding corny or lame. Suffice to say that like my father, my creative process is also a spiritual process.
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oil painting |
I suspect it was my dad’s influence that first exposed me to beads and beadwork, and he is indirectly responsible for my learning how to do leatherwork too. His soul mate Michele is a talented leatherworker who makes beautiful buckskin garments and bags. She taught me to work with garment leather back in the early 90’s, which quickly led to my interest in tooling and sculpting leather. So I guess he’s ultimately responsible — or at least, influential — for my career choice and my choice of materials.
My dad and I didn’t always see eye to eye, but I always loved and admired him. There was nothing traditional about him, so he was never a traditional father figure (thankfully, I have an awesome stepdad who has more than filled that role in my life). Still, he was an amazing individual and a talented artist. He passed a few things along to me, and they’re some of the things that I like best about myself. Thank you dad, for sharing your art and spirit.
Thank you for understanding…

This little gem has been floating around Facebook recently. I shared it on my fan page, but I’d like to elaborate on the concept a bit…
Sometimes I’m surprised by the random people that write asking for (deep!) discounts on my creations, even though we’ve never met.
I’m tempted to reply sarcastically, and ask them to give me the equivalent of half a day’s work too – you know, just because.
Similarly, I’m puzzled when folks ask for – or even demand – patterns and detailed construction information. While I don’t mind sharing certain tips with friends or peers, I’m not in the habit of giving my business away to strangers.
Worse yet are the ones who just take without asking –
This year alone, I’ve caught three different “artists” selling direct (and bad!) knockoffs of my original designs. Not only did these people duplicate my original works, but they opted to sell in the same venues that I do and undercut me! This is a mark of the copycat – they almost always sell their reproductions for less than the original. I suspect it’s because they know what they’ve done, and feel ashamed … but that’s an entirely different rant, so I’ll save it for another post. Bottom line: when you take something off of a store shelf without paying, it’s called stealing; please don’t kid yourself – helping yourself to my hard work is no different.
My point is that many people do not seem to value creative work.
There’s an expectation that it’s easy or effortless, or that it’s some sort of cute little hobby and not a real job. If you believe that crap, please allow me to disabuse you of your misconceptions – I work my ass off! For reals. I have invested decades into learning my craft, honing my skills, and developing original products. I’ve also poured an amazing amount of money into tools and supplies. In addition, I devote countless hours to “invisible” tasks such as SEO, photography, writing copy and so forth. This is my livelihood — what I do to pay my bills.
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via the talented Valorie Wilson of http://www.valoriewilson.com/ |
As this sketch illustrates, professional artists generate a host of business expenses in the course of creating and selling their work.Â
My pricing is structured to cover such expenses and provide a livable wage. So when you ask me for discounts, tips and freebies, you aren’t asking for an intangible bit off fluff that I dreamed up in my “spare time”; you are asking me to work for free. I might like you better if you at least offered me a trade – how about a free meal at your restaurant, a one hour massage, free teeth cleaning, or whatever it is that you do to support yourself?
I do try to be generous with my work by offering sales throughout the year. Likewise, I donate a lot of my creations to charity, trade with other artisans, give to friends and family (and even the occasional stranger); but I don’t simply give my work away to everyone off the street. Can you think of any sustainable business that does?
My apologies if this post sounds ranty or bitter – but I see so many of these rude “requests” and outright thefts that it’s hard not to get that way. I’ll back away from the soapbox and leave you with this request:
Please treat me (and my work) with the same basic courtesy that you would show any other professional.
My top 7 tips for selling on Etsy
Over the years, many people have asked me for tips for selling online. While I’m certainly not an expert, I have learned a few things along the way. I made this list because I kept hearing the same questions — hopefully my experience (and many, many mistakes) will be helpful to my friends who are just starting out.
For a bit of background info, I started selling my work at west coast art shows and festivals in the late 80’s. This enabled me to hone my skills and style, while learning some basic sales skills in a real world environment (no small feat for an introvert). My online selling adventures began on eBay in the mid 90’s. For many years that enabled me to be a stay at home mom while still earning a livable wage. That was before they hiked their fees and changed their policies to be a bit less seller-friendly.  These days, I find that I prefer selling on Etsy. To be fair, I haven’t sold on eBay in a few years – so I may want to check back and see what it’s like these days – but generally speaking, I find that Etsy’s fees are more affordable and it has a stronger, warmer sense of community. In addition, Etsy customers seem to be more appreciative of hand crafted work, as opposed to many of the eBay bidders who seem to be willing to overlook quality in favor of a “bargain”.
YMMV, and depending on your product and/or personality you may find that you prefer selling on one of the many other venues, such as eBay, Artfire, Dawanda. Some of these tips will probably translate to those venues, but they’re primarily geared toward Etsy, since that’s the venue that I like and am most familiar with right now. So without further ado, here are my top 7 tips for selling on Etsy:
1) Learn to take great photos: I don’t feel that my photos are “great” yet — but I’ve definitely improved and I can see a direct result in my sales. Whenever possible, use all 5 photo spots, and try to show the piece from all angles. If you can, include some close ups/detail shots as well. People can’t touch your work online, so you have to bring those details to them through the images that you provide. Simply put, you should always strive to provide excellent pictures. If you don’t know how to take excellent photos, it’s well worth the effort to learn. Here are a few links that I’m finding helpful in my quest to build better photography skills:
A great post about using a light box
The Beginner’s Guide to Product Photography
(I purchased that last one & felt that it was well worth the price)You could also just skip the above & enlist the help of a talented photographer friend, but I feel that there’s value in knowing how to do things by and for yourself.
2) List often: After my first attempt to sell my artwork on Etsy, I almost gave up. I listed 6-8 items all on the same day and then waited for them to sell, wondering why nobody seemed to notice them. I sold maybe one or two items over a four month period, and it was so disappointing that I didn’t try again until nearly 2 years later.
My second time around, I spaced out my listings and listed one or two items a day over the course of a couple weeks. I added new items to my shop as often as possible, and if I didn’t have anything new, I “renewed” older listings so that I would always have something coming up in that first page or so when people search for the types of products that I sell. It only costs 20¢ to renew an item on Etsy, which is cheap advertising IMO. I saw a tremendous difference when I did it that way. Since then, I’ve made an effort to list as often as I can – because I see a huge difference in my sales when I am listing frequently, compared to times when I am not able to list as often.
3) Use clear and detailed titles and descriptions: Too often, I see people trying to get artsy with their titles, without offering enough specific information to make viewers want to click. For example, a title like “Blue Journey” is just fine for an item that’s displayed in a local coffee house where the customer can touch the item and see the connection between the product and its title – but it just doesn’t play as well in an online search. It doesn’t tell the viewer what the product is or does (“Blue Journey” could just as easily be the name of a shirt, a painting, or a pitcher) and customers are probably unlikely to search for abstract titles like this. Instead, think of keywords that shoppers might use if they were trying to find products like yours, and work those into your title. You don’t have to forego your creative title completely, but try working in some concrete information that will help potential buyers to find your products. For example, “Blue Journey – A Hand Painted Silk Tank Dress in Aqua and Cobalt – Size Small” gives the reader far more detail, and is more likely to be picked up in a search.
When it comes to item descriptions, it’s definitely a good idea to try and be succinct – but make sure that you’re including all of the pertinent details! As I said earlier, it’s important to remember that the viewer cannot hold or see your wares – you have to bring the details to them through excellent pictures and detailed descriptions. Don’t assume that the viewer is already knowledgeable about your product. Educate them a bit by including a brief background on how it’s made as well as the materials that you use. Other important details include size, fit (if applicable) color and texture. You might also want to mention if it is a one of a kind item, or something that you can re-create in other colors and sizes.
4) Follow YOUR heart: It might be tempting to find another seller whose style or success you admire, and simply try to imitate them; but really, such behavior is quite hurtful. Knock offs often flood the market and undercut the original artist; but even if copying another seller doesn’t hurt their business, it will hurt you. Why? Because stifling your own individuality and creative expression in order to mimic someone else simply isn’t conducive to inspiration, joy, or success. And while those terms may sound flighty and flowery, they do hold value — after all, most artists create because they love to. Because they need to. It’s an important part of how we experience and process life. You can’t get to that if you don’t trust in your own creative voice.
Unfortunately, there is no blueprint, no cookie cutter method for success with creative work — so there’s no point in trying to follow in someone else’s footsteps. It is helpful to notice how others market and promote, but reproducing another artist’s product line is unlikely to reproduce their success. You just have to tune in to your own muse, and have the courage to forge your own creative path. I know that sounds esoteric and vague, but please trust me on this one. Respect yourself enough to be yourself — it will shine through in your work, and in turn, in the way that others respond to your work.
5) Check out the competition: I know, I know – I just told you to tune into yourself, and now I’m telling you to look around at everyone else. It’s not as contradictory as it sounds. It’s a good idea to look up from your workbench now and again to see what else is going on in your little niche. Pay attention to listings for similar items. Be respectful of course, but try to notice what’s happening in your field. I find this helpful on several levels…
One is that it give me a reality check on my pricing. Just to be clear, I follow a set pricing formula that ensures that I’m getting paid for my time and covering my business expenses. Many people who sell online are hobbyists or just looking for side income, so I’d never just blindly follow another’s pricing. Still, I do like to make sure that my prices are not unusually high (or low!) compared to similar items of comparable quality.
Studying the market can be a great way to spot trends (is that an up-and-coming style, or a niche that is quickly becoming over saturated?) and it also helps me to notice the details that can separate me from the herd. For example, a lot of mask makers use pre-fab beadwork that can be bought by the yard. While it’s pretty enough at first glance, that stuff is mass produced in third world countries using inferior quality beads and questionable labor practices. It’s not my intent to be rude or put down their work; but I can use these differences to talk mine up! For example, I could make a point to mention the rarity and quality of the beads that I use, along with the fact that I hand sew all of my original bead embellishments. Some customers won’t care about details such as this, but many do. That being said, studying the competition can help you to illuminate the details that set your work apart.
6) Join a street team: I joined a local Etsy street team for Seattle artists, and it’s been a huge help. From what I hear, this group is bigger and more active than most — but I would still recommend joining your local group even if it is small. It can be so empowering to network with supportive people in your area — my group has taught me about local shows, credit card processing companies, community events, SEO tricks and much, much more. I also belong to a street team for Fantasy artists, which is very fun.
While I connect with the EtsyRAIN people on general topics and local events, the Fae Team people share similar inspirations and creative focus. I’ve never been a “joiner” but I feel like I get a lot out of these communities. These groups inspire and inform me in ways that my friends and family cannot, and that comradery really helps to keep me focused and motivated about my business. Self employment can be very isolating, and it really helps to connect with like- minded people with similar goals. The teams are free, and most let you participate as little or as much as you want. I’ve met some really nice people and learned SO much! You can look over the list of teams here: www.etsy.com/teams
7) Etsy Newsletters: I signed up to receive email updates for a couple of the Etsy blogs that are aimed at sellers. I don’t always have time to read or implement everything they send, but they often have great advice on topics like product photography, SEO optimization, goal setting, marketing and more. They have several blogs to choose from, depending on your interests. Personally I would recommend “Etsy Success” and “Etsy Finds”. You can find more here: www.etsy.com/mailinglist/
So there’s my list. It’s not an exhaustive resource, but hopefully it’s a good starting point. My learning curve has been pretty steep, so I’d love it if this info can make it a little easier for others. If you find something here that is useful, I’d love to hear about it. By the same token, I’m still learning and striving to improve, so if you have any great advice to share about Etsy, I would love to hear it!