Cleared out an old file cabinet over the weekend, and found these old scans (yes, scans!) of my barrettes and bags from the mid – late 90’s! It tickled me to notice how much my style has changed over time, as well as what’s remained constant. I’m still working in beads, leather and gemstones. And I’m still in love with color and nature.
It’s been ages since I’ve done those fringed buckskin bags and bead embroidered animals. I’ve been thinking about how to circle back on both styles, so it was great timing to find these pics now. I’d love to recycle some of these elements in to my current style.
Thought I’d share these “vintage” photos from vending days gone by: The first photo is from the Chumash Pow Wow in Ojai, CA, circa 1994. We’d just finished breaking down our vendor booth. By that stage in my life, I’d already been vending at art shows and festivals for about 7 years!
The woman on the left was a sweet friend from England, who used to import my work so that she could sell it in her stall at the Glastonbury Festival! (Does that event still exist?). The babe in my arms is now 26 years old, and in grad school.
The second photo shows some beaded leather bags that I made around that same era. As you can see, my style has changed a bit in the 25 yrs since these pictures were taken. Some things remain constant: my material choices (beads, leather, natural gemstones), a love of color and natural themes, skilled craftsmanship, and passion for my work and the people who inspire me to create.
This path has not always been easy, but I love it all the same. I’m grateful for all the lessons behind me, and hopeful for many years ahead. Some of you have been with me through this whole journey (thank you, I love you!) and some are just joining now (thanks, you rock!).
Please know that I genuinely appreciate every bit of support and encouragement along the way. May it come back to you tenfold ❤
Butterfly imagery keeps cropping up in my work lately. Perhaps it’s because I’m an avid gardener and spring is finally here, or maybe there’s a deeper significance: butterflies symbolize transformation, change and growth. These are huge themes for my creative work this year! For some time now, I’ve felt the need for a change; at first it was a subtle whisper, but the feeling has grown progressively stronger. So much so, that I know that I absolutely must listen to my heart, even if the next steps seem scary.
Before I tell you where I’m going, I should probably tell you where I’ve been:
In 1996 I got my first computer and “discovered” the internet. Within a year, I’d created a Hometown AOL website for my business using a WYSIWG editor. Digital cameras were still fairly new (even the really good cameras were only like 4 megapixel!) so my photos were awful. In short, it was a primitive website with lousy photos, and the name was too long for anyone to find or remember. In my defense, most websites were like that back then.
My next site went up in 1998, with a shorter-but-easily-forgettable name. In those days, my handcrafted goods and my inventory of beading supplies were listed together on one site. When I’d meet online friends at bead shows or cons, they’d always say “Oh, you’re that Bead/Mask lady!”. So in 2003, I launched my new website and called it Beadmask. The name served as an umbrella for both product lines (craft supplies + handcrafted goods), and it was memorable and easy to spell.
Over time it became clear that those two different product lines had two very different audiences, who really needed two different sites. So in 2008 I launched a second website, Treefrog Beads, which is dedicated exclusively to bead and jewelry making supplies. This left the Beadmask website for my handmade goods, and the name still sort of fit, since it featured beaded jewelry and leather masks. This set up has worked well for the last many years, but change is in the air again.
My business has evolved and outgrown the name “Beadmask”. It just doesn’t fit anymore – the bead supplies have their own site, and masks aren’t such a primary focus anymore. I certainly intend to continue working in beads and leather, and mythology and nature are sure to remain central themes for my creations, but it’s time to branch out. In order to clear the way for new growth, I’ll also have to let a few things go. Many older designs will be retired this year, in order to clear space in the studio (and in my mind) for new work. I’m excited to explore new media, new product designs, and to really dig in to more elaborate work that challenges me and showcases my skill. I want to focus on creating truly unique pieces that you will love to wear!
Long story short: My business name will be changing soon! Please don’t be surprised when you see a new name in your social media feeds. It’ll still be me, just with a fresh new name, new ideas, and new designs for you to enjoy.
As much as I’d love to tell you that this will be a seamless transition, growth and change are not always graceful. I’ll forewarn you that there may be a few bumps along the way, as I stretch to find my wings. I hope you’ll stick with me – and perhaps even offer your feedback as to what kinds of new designs and products you’d like to see. Some of you have been with me for a very long time, and I really hope you’ll come along for this next phase of creative growth!
I know, I’ve been super quiet lately. Two months ago I was given the (incredible!) opportunity to test a pre-release unit of the new Glowforge hobby laser. Since then, I’ve fallen down the rabbit hole of lasering all the things.
Here are a few examples of my early experiments. I’m still learning, and still figuring out how I want to use this amazing tool, but one thing’s for sure… it’s a huge game changer. This is the first time in many years that I have been able to work without pain. I’d become so accustomed to working through the aches and pains that I didn’t even realize how much it was holding me back. I am so excited about the possibilities ahead!
Again, these images reflect early experiments and drafts. They’re not final projects, and they’re probably not significant indicators of how I will ultimately use this tool in my work. For the time being, I’m just learning slowly and translating all of my existing leatherwork patterns to digital files.
It’ll be a while before I’m 100% confident of the direction that I want to go, and begin designing new work with the laser. For today I’m giving myself time to go slowly, take risks, make mistakes, and just enjoy the learning process. I’m having a lot of fun with it, and looking forward to creating some larger, more elaborate works.
I designed this original leather mask in 2013. It’s part of an ongoing series that began in 2001 – each one is unique, but shares similar lines and details. It would seem that the design has recently been copied by another artist, who is marketing it as his own.
Sadly, this stuff happens daily. If it was an isolated incident, I might be more able to let it roll off my back – but it’s not. It’s extremely frustrating, but I try to keep my mouth shut, because everyone tells me to take the high road. To “be better, not bitter” – and honestly, I want that too. Unfortunately, there are so many of these copycats these days that the “high road” is starting to feel like a lonely ledge… and it gets harder and harder to make a living doing what I love (or to love what I do for a living) from that place.
This really hits me where I live, and I don’t know how to put a “positive” or “professional” spin on it. To my fellow aspiring artists, I cannot encourage you enough to be respectful of your peers (and yourself). Be honorable, be original, and don’t steal.
This gallery showcases many (but certainly not all!) of the designs that I’ve done in this series. I hope it offers a sense of the time that spent honing and evolving these signature pieces. Many of these designs were commissioned to incorporate symbols or ideas that were personal and significant to them. Please be honorable, and respect my craftsmanship, my livelihood, and the wonderful people who’ve helped to support that process.
Well I fully intended to be a curmudgeon this holiday season, but I guess it’s just not in my nature. I spent a good bit of time in my studio this weekend, thinking about which ideas I’d like to build on in 2016, and what I’m ready to let go of. In the interest of clearing out space – in my studio and in my mind – I’ve marked down many items throughout my store. Check out my SALE section for a wide selection of items marked down by 25% or more, through the end of 2015.
These discounts can be combined with my existing winter specials, enabling you to get 35% (or more) off my usual prices! Info and coupon codes for those offers are copied below:
* All US domestic orders of $40+ are eligible for free first class shipping.
On my website, you’ll automatically see the free shipping option when your cart reaches $40
On Etsy, you’ll need to enter the coupon code “shippingfree” at checkout
* All orders of $75+ are eligible for a 10% discount.
To receive this discount, use the coupon code “happyholidays” at checkout. That coupon code is the same for my website as it is for Etsy. Please note that this offer applies to ready made items only, not custom work.
I was recently asked why the prices of my hair accessories are higher than those of a copycat competitor. It’s difficult to find a polite answer that doesn’t sound defensive or snarky, but I’ll give it my best attempt … First off, I can’t tell you why another artist charges as much – or as little – as they do. What I can tell you is why I charge what I do:
My original designs have evolved over many years of trial and error – so my work is not only beautiful, it’s functional. I actually use these products in my own (thick, waist length) hair, so I have a good sense of sizing, comfort and durability. My designs have been refined by my own experience, and the knowledge that has been shared by my customers over the years. As such, my work is the evolution of many years of experimentation and experience.
My pieces are made using top quality supplies, because I can see the difference and the results are worth it. I strive to create heirloom quality work that will make you feel beautiful and elicit compliments whenever you wear it. So when you compare my pricing to those of other artisans, please be sure that you’re comparing cost and value. My work uses premium tooling leather and high quality dyes, as well as artisan quality acrylic paints and sealer. Color is applied in many layers, and sealed to be water resistant; this process takes more time and materials than a quick dye job, but it also results in richer, more complex color that won’t bleed if it gets wet.
Similarly, I like to collaborate with artisan woodworkers and wireworkers who create high quality, handcrafted sticks. While their work is pricier than some of the simple sticks out there, it’s also sturdier and more attractive. Even my low end hair toys use well made commercially crafted wooden sticks, which work nicely for fine hair, partial updo’s and/or ponytail holders. Please consider this when comparing my hair slides to those that simply use sharpened pieces of dowel or flimsy metal sticks from China, which are not sturdy or good for your hair.
Last but not least: in order to keep producing high quality craftsmanship, I must pay myself a livable wage. This is not a hobby for me, it’s my livelihood. If I want to be able to continue creating this caliber of work, I have to pay myself a fair wage that reflects my time, expenses and skill level.
With that said, I understand that my prices are higher than some of my competitors’. Please trust that you get what you pay for! When you purchase my work, you are empowering me to keep creating and expanding my craft; in return, you’ll receive a well made item that is beautiful, functional, and worth every penny.
This photo was taken at the Grateful Dead’s 4th of July “Fare Thee Well” shows. It’s particularly special to me, not only because it’s a photo of some of my favorite people, but because it represents a much needed realization and a shift in perspective. Sales have been lean since Etsy jumped the shark, and it’s been hard not to take that personally. The lull in business has made it hard to get by and frankly, it has caused me to question my creative work as well as my sanity!
There were several times that weekend when I looked up and realized that ALL of the beautiful women surrounding me were wearing my beadwork! These ladies are not only beautiful, they are powerful… healers, teachers, mothers, artists and so much more. It dawned on me that all of these goddesses that I admire are rocking MY work — and many of them have chosen to do so for decades! Seeing this was an incredible affirmation that my work – and its maker – will be just fine.
So at the risk of being long winded and/or sappy, I’d like to say thank you to the life long friends who have supported me all these years, to my loyal customers, and to everyone who shares and encourages my work today. It means more than you know, I’m deeply grateful <3
I’m a bit hesitant to post this, simply because my creative work has been moving so slowly of late. There’s a superstitious (?) side of me that fears that sharing this idea before it’s complete will somehow “jinx” it… but I’m pretty excited about it, so I’m choosing to let my enthusiasm outweigh my fear.
For some time now, I’ve been wanting to play with purse designs again. Those of you who have followed my work for a very long time will remember that I used to create a variety of purses and bags. In the late 90’s, the demand for my leather masks grew, and I sort of meandered away from making purses. Another big factor in this was the fact that all of my purse patterns (and several works in progress) were destroyed by water damage… or so I thought.
The other day, I was rummaging through an old box of beads that I’d packed up long ago. I thought I knew what was in there (and for the most part, I did) but there was a surprise! At the bottom of the box, I found 4 purses that had been cut out and partially sewn, as well as a folder full of my old patterns! I’m not sure how these pieces survived the flood, but I’m so glad they did.
The purses shown here are in various stages of completion. They were probably created some time between 1995 and 1997. There are two light brown cow hide purses (one small, one medium) as well as a medium sized black buckskin purse and a larger buffalo hide purse with cowskin lacing. All are entirely hand cut, sewn and braided. The one on top has holes punched for some leather braiding, which was going to outline a beaded mandala. Not sure if I still have that piece of beadwork, but I’ll probably create something similar for it.
These are quite a bit different than what I’d like to make today, but finding them seemed like a little sign from the universe that I should pursue the purse idea. I’m not sure how soon I’ll finish these, or when I’ll start introducing new designs… but I’ll definitely keep everyone posted as I roll them out!