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Further evolution…

leather leaf earrings 2009

I’m not doing the “inspiration Wednesday” thing today, cause I’m just not feeling it at the moment*.

Instead, I’d like to reflect on some design progress that a friend recently pointed out. In 2009, I started playing with a new (to me) earring style that makes use of some of my smaller leather scraps. There were several styles of leaves, and of course, lots of feathers — especially raven feathers (if you scroll through this blog, you may notice that I have a thing for corvids ;). These were accented with mixed metal wire, Swarovski crystals, and assorted gem stones. I debated whether or not to add real feathers.

blue jay earrings 2009

When I created their facebook photo album, I asked my fans if they were “Good, Bad or Ugly?” — which hints at how unsure I was about the style. They were well received, and I kept playing with the designs. These were somewhat tricky at first because I’d never really done such small leather projects. They’re simple enough to make, but working with leather at this scale was new and challenging for me; in addition, I’ve never been much of a wireworker. There are people who can do amazing things with wire, but I am not one of them. My knowledge and experience with that type of jewelry design is limited to the most basic skills.

peacock earrings 2011

I’ve continued to play with this style over time, and I suspect that I’ll continue to do so.  They’re admittedly simple designs, but I think the little projects tend to be the ones that build your skills the most (see this earlier post on formative work). There are many artisans who claim that every single piece they make is a one of a kind design. That is admirable  — though I always wonder if they are actually selling their work as a substantial portion of their income. As a working artist, it seems like it would be incredibly challenging not to repeat designs, and still create enough to support oneself. But I’m getting off track — my point is that I actually find value in revisiting designs. It helps me to hone my skills and also gives me a yardstick for progress.

raven earrings 2012

The current variations are still not exactly what I saw in my mind’s eye when I began making these; I hope there will be more permutations as time goes on. Still, it’s nice to contrast then and now. I often get restless or frustrated because my “creative vision” is usually far ahead of my actual skills. This is probably a good thing in that it keeps me striving — but sometimes it leads to feeling impatient or being hard on myself. When I can stop long enough to notice progress, it motivates me to keep exploring.

 * As to the “Inspiration Wednesday” posts, I think they’ll become a bi-weekly thing. It’s a fun theme that challenges me to think about what inspires me, and having a “prompt” does get me to blog more. I love being able to share these things, and to promote other artists and creative spirits — but it’s starting to make me feel pressured and I don’t like that. Every other week seems more balanced and comfortable for me 🙂

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Evolution…

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I was recently searching through some old files, and I came across this picture (to the left) of one of my imp masks. It may be my original prototype, which I created around 2001.

The reason it caught my attention is that I still

create this style of mask today. The picture at the right shows the current version. I’ve made some minor modifications to the original pattern, such as lengthening the tips and horns, and rounding out the cheek area at the bottom – but for the most part, the pattern is still the same. I think the biggest changes are in the intangible factors, like time and skill.

In the 8 or 9 years that I’ve been making this particular styleof mask, I’ve honed my skills and learned better techniques for shaping and coloring. In addition, I’ve had the benefit of a few mistakes along the way, which have taught me which paints and sealants to use. It may not have felt “beneficial” at the time, but the knowledge has really helped me to improve the quality of my work.

I still have much to learn, and I view my work as a constant process of experimentation and evolution … which includes plenty of mistakes. Still, it’s nice to be able to look back and realize that I’ve made a bit of progress along the way. Here’s hoping that my work will continue to improve and evolve over time.
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Blasts from the past…

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Over the past year, I’ve had the pleasure of reconnecting with a group of old deadhead  friends that I used to be very close to. This community was colorful and eclectic, and I learned so much from them. Being a bunch of hippies they naturally loved beads, so I also learned a lot about beading. In fact, I would say that some of the best beadwork I’ve ever seen came out of the the deadhead parking lot scene.

My fascination with cabochon beading – and also my love for antique microbeads – probably began during my deadhead years. I’d been doing beadwork, and even collecting beads before I got into the Grateful Dead, but those years really fueled my interest. I was exposed to the work of talented bead artists like Nome May, and of course, selling my work was a great way to support my gypsy lifestyle.

A few of my friends still have some of the pieces that I used to sell to fund my travels. I was delighted when they shared pictures of these older pieces with me.  This one belongs to my beautiful friend Janna, who grew up to be an inspiring yoga teacher. It was made in 1989, and it features a large chrysacolla cabochon with a small (I think) raw emerald cab below it. The blue-green stones are tourmaline, and the quartz crystal at the bottom used to be a much longer, crossed/double terminated point, but it broke at some point over the last 20 years.

This barrette belongs to another amazing old friend, Hollie Rose – Java Goddess and owner of Klekolo Coffee in Middletown, CT. It was made in 1988, and it features 3 teensy opal cabs and 1 aquamarine cab set with size 18/o vintage micro seed beads. The funny thing is – I remember exactly where I was and who I was with when I made this (In fact, I still have some of the beads from this dye lot!)

Seeing these pictures reminded me of just how long I’ve been creating beadwork. It’s interesting to me that even though I’ve learned many different techniques over the years, I am still drawn to the same types of materials, such as cabochons and vintage beads. This picture shows me doing beadwork when I was about 15. Back then, I might not have guessed that my love for beadwork would last a lifetime, or play such an important role in my life.

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