Had a rough day today, contemplating an unsavory situation. As luck would have it, I came across these words that I wrote last year. It was a timely reminder of where to focus my energy. While the lame situation still needs resolution, I’d like to pause from my pissed-offedness for just a moment, to acknowledge the good:
I’ve spent a lot of time and energy griping about those unethical competitors who copy, undercut, and just generally slither around the internet. It’s true – they are many. But perhaps I haven’t spent enough time acknowledging the friendly and ethical competitors who have treated me kindly. There are many of you as well. ⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀ Over the years, I’ve had the good fortune to know countless artists who’ve helped me to hone my craft and to learn the ropes as a vendor.
Despite the fact that we’re “competing” in a similar market, you’ve treated me with integrity and respect, helping me to learn and encouraging me to grow. We’ve empathized with each others’ struggles, and celebrated successes.
These positive professional relationships have endured time and trends, and many have grown into genuine friendships that enrich my life. Thank you for this! It proves that “competitor” doesn’t have to be a dirty word. We all choose how we conduct our businesses (and ourselves) and we CAN lift each other up without detracting from our own goals. In this way, we all thrive.
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ So yeah, the jackasses are out there – but so are the good ones!
I’m grateful for those of you who choose to take the high road (even when it’s not the easy road) and I promise to treat you – and your work – with the same integrity and courtesy that you’ve shown me.
Sharing this leather bat barrette in celebration of the wonderful little brown bat that I found in my driveway yesterday! I’m not sure if it was injured, or if it was in a torpid state. Perhaps the high winds knocked it out of its roost, and out of hibernation?
The wildlife rescue that I called was unable to make it out until the next day, but someone explained how to safely capture the bat until qualified help could get there (bats can pose health risks to humans & animals, so it’s really best to leave rehabilitation to the pros). .
Thankfully, the little fella made it through the night, and the rescuer was able to pick it up today. She’ll check it for injuries and tend them if needed … or just give it a safe space to crash until it’s ready to come out of hibernation. In either case, the bat survived, and is now in more capable hands. I’m so grateful that there are folks with the knowledge, skill, and heart to do such work!
Bats get a bad rap for being vicious and spooky, but in truth, they’re lovely creatures who play an important role as pollinators. With that said, this post is a celebration of bats in general, and particularly, the little creature that I found yesterday. This barrette is a fantastical shade of shimmering burgundy-purple, but the real life bat that I met was an adorable little brown bat.
“You need music, I don’t know why. It’s probably one of those Joseph Campbell questions, why we need ritual. We need magic and bliss, and power and myth, and celebration and religion in our lives and music is a good way to encapsulate a lot of it.”
Now that the Halloween rush is over, I’m finding a bit of time to play with my beads again! This beadwoven necklace showcases a purple chalcedony cabochon and a little vintage rose cab with fabulous play of light effects. The colors are a mix of orchid, lilac, fuschia and periwinkle.
My friends Phil and Julie are a couple of hippies who live up in Alaska, in a house that they built themselves. Now some of you might react by thinking “ewww, hippies!” but rest assured that they’re the cool kind of hippies; they are homesteading, homeschooling, organic gardening, child rearing, chicken raising, art making hippies who make the world brighter just by being in it.
Julie is a beadworker, and Phil helps with her small business, Baked Alaskan Designs . As you can see
from the photos, she creates gorgeous, heirloom quality bead embroidered barrettes. Her “Stealie” barrettes are very popular, though I’m especially fond of her rosette style barrettes. They remind me of the type of beadwork that I used to see at Pow Wows – bold, elaborate and carefully crafted. Recent instagram posts from Julie suggest that she may have some new tricks up her sleeve as well. I’m excited to see the new ideas that she’s working on; so far, they look stunning!
She opened their Etsy shop a little over a year and a half ago and quickly found her niche, not only in terms of her work, but as far as community. She gravitated toward groups of artists that network and encourage each other, and she clearly strives to support her fellow creatives. Julie often shares tips and info with me, and she shares my work (and the work of her many creative friends) on social media. Those things may sound small, but they’re actually HUGE. Making a living as an artisan is no small feat, so it means a lot that Julie not only focuses on trying to make her business successful, she actively tries to bring others with her on that road to success.
With that said, I’m inspired by Julie’s art AND by her attitude. Thank you for being one of the good ones, may it come back to you tenfold <3
It struck me as such a loving and hopeful response to a terrible situation, and it reminded me of the many ways that art can heal. I donated for a chance to win, and I’d like to encourage you to do the same: just click on this link and donate to get a ticket(s). Doing so offers the opportunity to win a beautiful work of art, and the ability to participate in a very kind response to a tragic situation.
Those of you who follow my blog (all two of you) may remember way back when I used to do this thing called “Wednesday Inspiration”. It served two purposes: one was to celebrate and promote other artists that I admire, and the other was to give myself a writing prompt in hopes that it would get me to blog more regularly. So every Wednesday (or every other Wednesday… or as often as I could find the time) I would share images and links from artist friends and strangers who inspire me to be more creative.
I’m bringing that back – in part because I’m trying to post more often, and partially because I realize that I fret and complain too much about copycats and jackasses. While the latter concerns are real and should not be swept under the rug completely, there is GOOD stuff happening in the creative community too. I’d like to make a greater effort to celebrate that. My motivation for this is summed up nicely by this quote: “Promote what you love instead of bashing what you hate”.
So without further ado, today I’m sharing a few pieces by Mermaiden Creations. My friend Julie creates work that”is the stuffs of fairy tales and legends; curious offerings of nature, weird beauty, wild and fey-inspired organically imperfect designs”. She moves fluidly from jewelry design to millinery work, to hair accessories and home decor.
Her work is imaginative, dreamlike, organic, untamed… and skillfully crafted. I own a few pieces of her jewelry and one of her scarves, so when I attest to the quality of her work, I am speaking from affection and experience. I’ve showcased a small handful of my favorite pieces here, but I encourage you to visit her Etsy shop or to follow her on facebook in order to see more of her beautiful work!
I’m a bit hesitant to post this, simply because my creative work has been moving so slowly of late. There’s a superstitious (?) side of me that fears that sharing this idea before it’s complete will somehow “jinx” it… but I’m pretty excited about it, so I’m choosing to let my enthusiasm outweigh my fear.
For some time now, I’ve been wanting to play with purse designs again. Those of you who have followed my work for a very long time will remember that I used to create a variety of purses and bags. In the late 90’s, the demand for my leather masks grew, and I sort of meandered away from making purses. Another big factor in this was the fact that all of my purse patterns (and several works in progress) were destroyed by water damage… or so I thought.
The other day, I was rummaging through an old box of beads that I’d packed up long ago. I thought I knew what was in there (and for the most part, I did) but there was a surprise! At the bottom of the box, I found 4 purses that had been cut out and partially sewn, as well as a folder full of my old patterns! I’m not sure how these pieces survived the flood, but I’m so glad they did.
The purses shown here are in various stages of completion. They were probably created some time between 1995 and 1997. There are two light brown cow hide purses (one small, one medium) as well as a medium sized black buckskin purse and a larger buffalo hide purse with cowskin lacing. All are entirely hand cut, sewn and braided. The one on top has holes punched for some leather braiding, which was going to outline a beaded mandala. Not sure if I still have that piece of beadwork, but I’ll probably create something similar for it.
These are quite a bit different than what I’d like to make today, but finding them seemed like a little sign from the universe that I should pursue the purse idea. I’m not sure how soon I’ll finish these, or when I’ll start introducing new designs… but I’ll definitely keep everyone posted as I roll them out!
In his own words: ‘I chose to model my mask after a picture I saw of a bog mummy named, “Tollund Man”. It amazed me how well his face was preserved! He looks as if he just laid down and fell asleep. I can even see ancient stubble that grew on his face. Because of his remarkable preservation in a Danish bog I would consider his face a mask of death.’
When asked for a bio, Aaron said “I’m not professional by any stretch of the imagination. I mainly just consider myself a tinkerer of sorts. I think since I’ve started about 2ish years ago I’ve really been trying to find a style of my own. Emotion is really what I’ve been wanting to convey in my mask making. Like the one I made for the contest and I made another like it a while back called the crying mask.
Really though, my collection of mask styles have been pretty diverse. I was enjoying making Mardi Gras or carnival masks just because they are outlandishly decorated and historically rich.
So yeah besides that I’m very much a hobbyist, though I’m not one to turn down a commission.”
I’ve just liked his facebook page, and I hope you’ll do the same. Between his innate talent and his willingness to explore and take risks with his work, it’ll be fun to watch him develop his style and skills. On that note, please enjoy these images of Aaron’s work: