My Pacific Northwest home is surrounded by old growth maple, cedar and fir. We share these woods with many wild creatures, including a family of owls. For whatever reason, they’ve been far more active (and interactive) these last few months. They sing us to sleep at night, and in the mornings we often find evidence of their hunts. Not surprisingly, owl imagery has been cropping up in my work more and more.
Here’s a little preview of some of the leather owl feathers that I’ve been working on lately. They’ll become hair accessories, and you’ll find them (along with other new work) in my next shop update on Monday 8/21.
I’ve just completed the fourth cuff bracelet in this series, and I think it is my favorite thus far! Like the others, it centers around a vintage brass filigree, which is encrusted with vintage west German glass stones, Swarovski crystal, fire polish and Japanese glass seed beads. The inside of the cuff and the centerpiece are lined with periwinkle colored ultrasuede, and the outer edges of the bracelet showcase metallic bronze leather.
The colors include matte metallic shades of peacock, olive-y bronze, purple and metallic bronze.
Filigree Cuff #3
I never really set out to make a “series” of these. I made the first one in 2008, at a point when I was using a lot of these old filigrees in my beadwork (I’ve also done barrettes and necklaces in this style). I really liked it, and the response from my customers was extremely positive. People started commissioning me to make them in specific color schemes.
Obviously, these are variations on a theme – but each one has a different color scheme, and utilizes a unique combination of vintage glass beads and stones from my collection. So they’re of the same family, but each has its own character.
Filigree Cuff #3
As I mentioned in my previous post, beadwork tends to be very meditative for me. As such, I often lose my sense of time when I am beading. I hadn’t been charging too much for these, because it seemed like they work up so quickly (in as much as beadwork ever works up quickly).
I made a point to log my working time on this last one, and I was quite surprised by how long it actually took! To be fair, I think #4 took longer than the others (I did quite a bit of “rippit” stitch 😉 but all the same, I realized that these pieces have a much greater time investment than I’d originally thought!
Sadly, I only have a few more of these filigrees left, so I won’t be able to make many more of these cuffs. Bums me out, since I am really enjoying this series. I suppose that’s a good thing though – it ensures that it will be a limited edition series.
And of course, if I really want to continue with this style after I’ve used all of the brass that I have, I can probably find some more old brass pieces. Doubt I’ll find more of the same style, so the new cuffs will have different shaping … but that’s a good thing 🙂